Director Rodrigo Cortes cited Rear Window and other Hitchcock classics like Rope and Lifeboat as influences.Latest Bollywood Songs Bhool Bhulaiyaa 2 Songs | No Name Songs | Proof Songs | Heropanti 2 Songs | RRR (Hindi) Songs | Harry's House Songs | KGF Chapter 2 Songs | Nikamma (Original Motion Picture Soundtrack) Songs | Way Ahead Songs | Runway 34 (Original Motion Picture Soundtrack) Songs | Pushpa The Rise Part - 01 Songs | Top New Hindi Songs Kesariya (From "Brahmastra") Song | Galliyan Returns (From "Ek Villain Returns") Song | Is This That Feeling Song | Iss Baarish Mein Song | Hum Nashe Mein Toh Nahin Song | Yaad Song | Pehli Pehli Baarish Song | Rangisari Song | Jaane De Song | Top Albums New Hindi Songs | New International Songs | New Punjabi Songs | New Tamil Songs | New Telugu Songs | New Kannada Songs | New Malayalam Songs | New Bhojpuri Songs | New Devotional Songs | New Marathi Songs | New Ghazals & Sufi Songs | New Bengali Songs | New Gujarati Songs | New Haryanvi Songs | New Instrumental Songs | New Rajasthani Songs | Bollywood Top Artists Badshah | Arijit Singh | Sonu Nigam | Sunidhi Chauhan | Shreya Ghoshal | Kishore Kumar | Mohammed Rafi | Lata Mangeshkar | Asha Bhosle | K.J. Screenwriter Chris Sparling originally planned to make Buried for $5,000, so its $2 million budget almost feels extravagant, but at least some of that went toward the film's music and title sequence, which keys it up as a polished, old-school thriller. If you're streaming Oxygen on Netflix and parts of it ring familiar, it's probably because it hits some of the same beats as Buried (that spotty phone connection, calls to the cops and Mom, an animal in the box with our protagonist, the camera defying the box's dimensions, pulling back in the darkness and X-raying it). The coffin becomes a literal hourglass, filling with sand and because this is a Lionsgate film, there's even a bit of torture porn. It gives urgency to the horror-movie cliche of a phone with no reception. He's in a tight space, running out of air, and Buried holds the viewer in the same suffocating grip. The film opens with black silence before we hear Paul moving around inside the coffin. What's funny is that they predicted the semantics of the Clinton–Lewinsky scandal, which would erupt in the news just a few years later. The film's frank discussions about "snowballing" and the definition of sex versus oral almost earned it an NC-17 rating.
"Purgation," for instance, leads into a scene where Randal encourages Dante to vent his frustrations. Each scene states its theme with a chapter heading that sounds like a circle of hell. They play hockey on the roof and wax philosophical about the independent contractors who died on the second Death Star. Contrast this with its Miramax cousin, Reservoir Dogs, which is more liberal about venturing outside its main warehouse setting.ĭante works at Quick Stop and his best friend Randal works at a video store next door. (We never see the actual wake.) Other than that, the entirety of the film takes place in and around the same building. Later, it makes another two-minute detour by car to a funeral wake.
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The movie spends its first two minutes in Dante's house before he gets called into work on his day off. Preference is given to films that truly stay in one location and don't stray from it except perhaps at the beginning or end when they're on their way into or out of that setting. That includes inflation adjustments for older films like the first one ($1 million in 1954 comes out to $9.9 million in 2021). All of the movies featured here had a budget below $10 million. If any of these flicks put you in the mood for the cinematic equivalent of a chamber play, here are 10 more titles that deserve an immediate spot on your to-view list.Ī note about methodology: this a chronological listing, not a ranking. In theaters, there's Profile, which uses Screenlife as the basis for a terrorist thriller. On VOD, there's The Djinn, which traps a mute boy in his apartment with an evil genie. On Netflix, there's Oxygen, which seals Melanie Laurent inside a cryogenic pod, and The Woman in the Window, which has Amy Adams playing a homebound agoraphobic. This last week alone has seen the release of no less than four single-location movies.